Vans California Old Skool Reissue July Lineup

Sneakerness Zurich 2011

Supra “Black & Yellow” Pack

Vans California Era Wingtip “Tonal” Pack

Inverno 2011 !

Nike SB Zoom Stefan Janoski “Black Canvas”

INTERVIEW: SHOES THAT ARE ALIVE

By Robert Cordero

JC Report | Inside Global Fashion Trends

ALIVESHOES is part store, part philosophical community. The company produces Italian-made, environmentally sound shoes, while mastermind Luca Botticelli also seeks to create an online network comprised of people who are interested in interactive art, philanthropy and statement-making footwear. Self-titled “the world’s first shoe-gaming community,” the website is now complemented by a pop up store in Amsterdam, with more locations to follow. JC Report caught up with Botticelli to discuss eco-minded fashion, artistic collaborations and what he means by “fashion 2.0.”

JC Report: What are your main ideas behind being ecologically friendly?

Luca Botticelli: Eco-friendly means that you research new process and materials in order to pollute less, and to make more intelligent products and services. Less is more is a big guide into this.

JCR: The inside tab of the limited edition shoes are designed by contemporary artists. How do you choose who you want to collaborate with?

LB: I gave [New York artist Steven Siegel] 500 pairs of shoes and told him to just create what he wanted. He made Blocks. The inside tabs reflect the installations [artists] make with shoes. It’s their sketches. We collaborate with curators to choose artists. We look for artists that have an open minded approach and are passionate about breaking the rules of art itself (i.e. going away from the museums).

JCR: Where do you see the future of shoes and shoe valley in Italy?

LB: I see the future of the shoe valley in the internet in www.aliveshoes.com. That means that the shoe business must convert to the digital world and must become eco. We are providing IT instruments for that, and research for sustainability to the valley. We are building a big headquarters open to the public in the middle of the valley to stimulate awareness from the core. “Made in Italy” must shift its awareness from total tradition to half tradition/half research and future. We are there for that.

JCR: What is the idea behind fashion 2.0?

LB: Fashion 2.0 goes away from aesthetic, and welcomes games and social interactions. Fashion 2.0 puts an end to the era of designers and stylists, and starts the era of gaming. Fashion 2.0 uses the internet as the medium and doesn’t relate to print press. Fashion 2.0 creates containers that leave space for people to express, and it uses pull communication and interactivity to make people active and entertained.

I'm Not Perfect; but MORE Perfect Than YOU!!!!

HEREEEEEEEE"S GRACE!!!!

by Leah Greenblatt

Lady Gaga may adore cult pop icon Grace Jones, but Ms. Jones won’t picking up her t-t-telephone calls any time soon.

The 61-year-old Jamaican-born model/actress/fashion radical, best known as a club performer, Warhol muse, Bond girl, hair maverick, and all-around fabu freakshow, was recently asked by London’s Guardian newspaper what she thought of the world’s current preeminent mistress of carcinogenic eyewear. Jones’ reply? “I really don’t think of her at all. I go about my business … I wouldn’t go to see her.”

And would they ever work together? “She did [ask], but I said no. I’d just prefer to work with someone who is more original and someone who is not copying me, actually.”

Mild-ish words, actually, from the woman who gave the world Strangé—and one wonders why she doesn’t call out her other obvious acolyte, Rihanna—but she can hardly be blamed for drawing the comparison.

As stated on The Future on February 5, 2010, Gaga’s genealogy has never been much of a mystery: She is unabashedly built from the DNA of many stars who came before her—including but not limited to Madonna, David Bowie, Roisin Murphy, Prince, Cher, Labelle, Freddie Mercury and of course the original cult-of-personality maestro himself, Mr. Warhol.

Like the recent M.I.A.-chugs-the-Lady-haterade episode, this one will surely be met by Gaga loyalists‘ insistence that the Lady is, like, ten billion times more amazeballs than Jones, who is just too jealous/old/All About Eve-ish to acknowledge her younger and more commercially successful rival.

If they do, they may be touching on some truth (sometimes, Strangé get cranké), but they’re missing the larger point: Gaga, definitively, could not exist without Jones, Madge, and Mercury, and she seems very much aware of that. In fact, she acknowledges them ad nauseum in her album liner notes and interviews and in, basically, the way she lives her outsized life-as-performance-art existence (bedazzled face crustaceans for brunch! Personal head planetarium for Ellen!) every day—if not in the fairly straightforward and markedly commercial (much more, at least, than Grace’s ever were) pop songs that anchor it all. I AGREE and I am the BIGGEST GRACE JONES FAN AROUND!!! Lil Mogul...

If progenitors like Jones are sometimes a little bothered that Gaga sails so easily down the far-out road they paved—and with a much fatter wallet tucked in her triangle pants—is that jealousy, or just humanity? I call it LIFE!!!